Buddha - Karen Armstrong - A Review
May 06, 2001 09:39 AM
by ramadoss
I was so impressed by Karen's talk broadcast on cspan2 last night, I
searched the web and found a good review. It is at www.salon.com.
The book published couple of months ago has made it to NY Times Best Seller
list and the 2nd best seller in San Franciso Bay Area.
Hope some of you will like it.
___MKR____
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"Buddha" by Karen Armstrong
A former Catholic nun's short biography of the Buddha explains the elusive
Eastern sage in terms that even drama-hungry Westerners can understand.
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By Laura Miller
April 18, 2001
Of all the biographers enlisted to write for the successful and acclaimed
Penguin Lives series, none could have faced a harder job than Karen
Armstrong. It's not just that Siddhartha Gautama -- known after his
enlightenment as the Buddha -- lived at a time when literacy was uncommon
in his native India and thus left behind, as Armstrong puts it, "very
little information that can be considered historically sound." It's not
just that the most authoritative of the orally preserved scripture that
does describe a bit of his life, the Pali canon, wasn't written down until
the first century B.C.E., hundreds of years after the Buddha's death.
Armstrong's greatest challenge is the fact that everything the Buddha
believed in and taught is utterly opposed to biography itself.
The very impulses and notions that make us read biographies -- curiosity
about the individuals who shape historical events and a belief in the
significance of their personal dreams, loves, flaws, disappointments,
passions and intimate relationships -- all of this the Buddha considered
not just irrelevant to human happiness but inimical to it. As some
observers pointed out when the Taliban destroyed two monumental statues of
the Buddha in Afghanistan last month, the spiritual leader would have
considered both the effort to erect the sculptures and the fight to save
them (as well as, mostly likely, the crusade to annihilate them) sadly
misguided; he himself was not the point. A faithful biography of the Buddha
would have to be a kind of anti-biography in which everything that we in
the West consider "interesting" about the man eventually falls away like,
to use his own metaphor, the discarded skin of a snake or the scabbard of a
sword, leaving behind a being who is serenely "impersonal."
Nevertheless, Armstrong ("A History of God," "Jerusalem: One City, Three
Faiths"), a former Roman Catholic nun and arguably the most lucid,
wide-ranging and consistently interesting religion writer today, manages to
pull it off. And she does it so successfully that "Buddha" is the first
book in the Penguin Lives series to make the New York Times bestseller
list. Buddhists will probably find this book sketchy and overly detached
(Armstrong clearly isn't a believer), but they aren't its intended
audience. Instead, Armstrong has set herself the task of explaining one of
the East's most enigmatic spiritual figures to a Western audience
accustomed to encountering the divine with an entirely different set of
cognitive tools. She places Gautama in his historical context (the most
exciting, earthshaking few hundred years in religious history) and deftly
compares his teachings with those of more familiar Western sages: Jesus and
the authors of the Gospels, the Hebrew prophets, Socrates and Mohammed. She
unpacks some of the more baffling Buddhist concepts, elucidates aspects of
the religion that Westerners often find off-putting and, where earthbound
reason can't take us, attempts to suggest an outline of the ineffable.
It can't have been easy. Unlike, say, the New Testament, in which the story
of Christ's life is the heart and soul of the scripture, Buddhist holy
texts don't focus much on Gautama's life or offer a continuous narrative of
it. Scattered fragments of his biography appear in various texts whose
status is often disputed. And, among these, there are "almost no details
about the forty-five years of the Buddha's teaching mission, after his
enlightenment." What does matter about his life, the Buddha insisted, is
that it was entirely human. The gods who populate some Buddhist tales --
holdovers from the Vedic cult that would evolve into Hinduism -- were
fallible and mortal despite their powers. The Buddha himself did not
believe in a Supreme Being. "He confined his researches to his own human
nature and always insisted that his experiences -- even the supreme truth
of Nibbana [or nirvana; Armstrong uses the Pali spellings of Buddhist
terms] -- were entirely natural to humanity."
To a casual Western observer, Buddhist doctrine can seem maddeningly
complex and vague, a kind of bureaucratic filing system composed of dozens
of lists like the Four Noble Truths, the Eightfold Path, the five "yama,"
the five "khandhas" and so on. Armstrong stresses that, as bewildering as
all these quadruplicate and quintuplicate concepts may be, Buddhism is at
heart a do-it-yourself religion, and one that was founded by a confirmed
skeptic. "He always refused to take anything on trust," Armstrong writes of
her subject, "and later, when he had his own sangha [order], he insistently
warned his disciples not to take anything at all on hearsay." While it
isn't easy to master the necessary yogic disciplines, the Buddha said, they
are available to everyone, and anyone who pursues them devotedly can attain
nirvana.
The Buddhism that Armstrong describes, then, is a kind of cosmic
instruction book. The principles and procedures come first, with anecdotes
from the Buddha's life used as occasional illustrations. Perhaps the second
most familiar story about the Buddha's life concerns his "Going Forth." The
son of a powerful aristocrat in northern India, Gautama left a life of
ease, pleasure and family (he had a wife and son) to wander as a homeless
mendicant begging his meals from laypeople and seeking a spiritual path
that transcended samsara, the endless, painful cycle of earthly existence.
The most famous Buddha story relates his enlightenment, years later, as he
meditated under the "bodhi" tree. It's worth noting that the Christian
scriptures culminate in what we call the Passion of Christ, events of
searing emotional power, while Buddha, having after years of questing and
study achieved nirvana, that state of inviolable peace, cried out, "It is
liberated!"
Reading Armstrong's "Buddha" prompts such comparisons, and makes it easier
to see why Buddhism can strike those steeped in Western culture as either
opaque or, conversely, tremendously appealing. The New Testament has been
cheesily nicknamed "the greatest story ever told," but even a non-Christian
must admit that it is a terrific story, as is much of the Old Testament.
Both books have drama, tenderness, pathos, tragedy and redemption as well
as vividly drawn characters. As Armstrong wends her way to the end of the
Buddha's biography, she grapples with the very lack of these enthralling
elements in Buddhist texts. The Buddha, she writes, "owed his liberation
precisely to the extinction of the unique traits and idiosyncrasies that
Western people prize in their heroes." And so, "with our Western love of
individuality, we can feel dissatisfied" with his tale. Once the Buddha
achieved enlightenment, he became someone to whom nothing further of
significance could happen. One of his titles, "Tathagata," means something
like "gone."
Buddhist scriptures mostly, then, outline the steps one must take to follow
him. Looking for a profane metaphor, I thought that while the Bible is like
an episode of "ER," some of the eminently "pragmatic" Buddhist ideas that
Armstrong describes remind me of an episode of "Martha Stewart Living," a
show I used to watch in the mornings for its soothing effect. "ER," like
the Bible, is full of the dramatic stuff great stories are made of: blood,
fury and tears. "Martha" is serenely procedural as it takes us through the
steps of sewing a pillow cover or roasting a rack of lamb -- even the
demure little smile its host wears recalls certain statues of the Buddha.
And yes, the hospital drama can be exciting, but the time comes when you're
sick of blood, fury and tears and you just want dinner.
That's a bit like how Gautama felt at his "Going Forth," and it's no doubt
what draws so many Westerners to follow the Easterners of generations
before into the faith that the Buddha and his disciples characterized as a
"cool refuge" from the heat and dust of samsara. For the Indians of the
Buddha's time, reincarnation wasn't an opportunity to reap attention by
going on low-budget TV shows about "the paranormal" and claiming to have
been an Egyptian princess in an earlier life, or a chance to reunite with a
lost true love. The Buddha and his contemporaries saw reincarnation as
shackling them to an endless cycle of loss, pain and death: "The prospect
of living one life after another filled Gotama, like most other people in
northern India, with horror." As Armstrong explains, Buddha's teachings
offer step-by-step instructions on how to get off this hellish hamster
wheel and pass into the indescribable state of nirvana.
In some of the most fascinating passages of "Buddha," Armstrong relates how
northern Indians responded to a remarkable revolution, one that "marks the
beginning of humanity as we now know it." Between 800 and 200 B.C.E.,
during a time now called the Axial Age, old ways of understanding the world
and our place in it were transformed by people determined "to seek the
highest goals and an absolute reality in the depths of their being." The
towering figures of this period -- "remarkably contemporaneous" according
to Armstrong -- included the composers of the Hebrew Bible, Socrates and
Plato, Iranian prophet Zoroaster, Confucius, Laotzu and the Buddha. "The
Axial Age remains mysterious," Armstrong writes. "We do not know what
caused it." Nevertheless, it was a time when "it was felt that only by
reaching beyond their limits could human beings become most fully themselves."
Armstrong describes a northern India in which the traveling "bhikkhus"
(almsmen) were seen as "heroic pioneers ... When the leader of one of the
sanghas arrived in town, householders, merchants and government officials
would seek him out, interrogate him about his dhamma [doctrine], and
discuss its merits with the same kind of enthusiasm with which people
discuss football teams today." Once he had discovered his own dhamma, the
Buddha became a kind of celebrity and led a life that was surprisingly
urban and social; he had set aside his initial plans to retreat into
solitary contemplation because devoting one's life to the service of others
was a key principle of his dhamma. This was often trying; in perhaps the
book's most charming anecdote, the Buddha becomes so distressed by a schism
among his followers that he goes off to live alone in the forest,
befriending an elephant who was similarly exasperated with his own species.
The Buddha's rejection of family life (it prevents you from achieving the
detachment necessary for nirvana) and his troubling attitude toward women
(he initially wanted to ban them from the sangha, presumably to avoid
tempting the male monks, but was talked out of it by an attendant) will
alienate some readers. On the other hand, the absence in Buddhism of a
concept of sin -- with all the twisted self-loathing the term implies --
seems blessedly sane. The Buddha defined such behavior and thinking as
simply "unskillful"; it doesn't get you where you want to go. To the
instinctive Western terror at the idea of abandoning all personality and
self ("I am going to be annihilated and destroyed; I will no longer exist!"
is how Armstrong characterizes it) he offered a simple argument: "When
people lived as though the ego did not exist, they found that they were
happier."
While "Buddha" doesn't pretend to offer a comprehensive introduction to the
Buddha's thought, there's a surprising quantity of information and insight
in its 200 pages. Armstrong makes this extraordinary man, one of the most
influential who ever lived, and his ideas more understandable by letting us
see, for example, how his emphasis on using questions to seek the truths we
already know mirrors the techniques of Socrates. And yet Armstrong doesn't
shrink from defining the gulf between Buddha's spiritual vision and the one
that saturates Western culture. This scintillating interplay of similarity
and difference makes for fascinating, fertile reading. For a biography of
someone who wasn't there, it's quite an achievement. Or, as a very
different kind of sage would say, it's a good thing.
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About the writer
Laura Miller is Salon's New York editorial director. Sound
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"Buddha" by Karen Armstrong
By Laura Miller
http://www.salon.com/books/feature/2001/04/18/armstrong/index.html
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