Re: [esotericcosmology] Re: the true Alpha Chord -- Divine Electromagnetic Aether Harmony!
Dec 08, 2007 08:43 PM
by Leon Maurer
Since all of music is based on the fundamental cycles of the original
SPIN momentum or "abstract motion" of absolute SPACE, the primal or
TRUE Alpha Chord (the first triad) is the combination of the
vibrations of the initial fractally involved triune fields of the
first Logos (the primal Monad) of cosmogenesis... That ultimately
resolves, holographically, on the lowest order (fourth world)
physical plane, into the seven fold (octaval) fields of consciousness
-- whose frequencies are analogous to the sounds of the diatonic
(seven note) musical scale. Pythagorus called the *sound* of this
(*bubbles within bubbles* or "wheels within wheels") structure of
fundamental space that produced the first Chords, "The music of the
spheres".
By combining different groups of analogous primal field frequencies,
their harmonics, and their ratios, we can see many other musical
scales developing in different cultures throughout history. http://
en.wikipedia.org/wiki/Musical_scale
The basis of all this can be easily confirmed by studying the
following diagrams... Keeping in mind the three fundamental
principles and the analogy and correspondence between all coadunate
but not consubstantial fields of consciousness -- due to the
fundamental holographic nature of the primal Cosmos whose "center is
everywhere and its circumference nowhere."
http://users.aol.com/uniwldarts/uniworld.artisans.guild/chakrafield.html
http://members.aol.com/leonmaurer/Chakrafield-spherical-col_3.jpg
http://users.aol.com/leonmaurer/Fract-Exp-Lt-Dk-matter-text.png
http://users.aol.com/leonmaurer/Chakrafielddiag-fig.col.jpg
Leon Maurer
http://www.tellworld.com/Astro.Biological.Coenergetics/
On Dec 6, 2007, at 12/6/078:09 PM, Millennium Twain wrote:
> apparently I have discovered the TRUE Alpha Chord,
> the triad of song, celebration of creation, which
> is first and fundamental, universal and unifying.
>
> of the two forms of matter, the proton, Mother
> Proton, is the stable, long-lived, one. and She
> is a living topology of THREE wavelengths, THREE
> frequencies -- for which one can see the numbers
> in my proton publication from 1994.
>
> what are the NOTES of the Alpha Chord? do they
> correspond to the C-Major scale of modern western
> music? are do they resonate with a five or six
> note octave system? pentatonic or hexatonic?
>
> note that, unlike the String Instrument harmonics
> described below, from the website Carlos sent us,
> the Frequency and Wavelength and Wave Velocity
> relationships -- and radius, circumference and
> period -- are different. that is because the
> velocity of a lightwave, electromagnetic wave,
> is not constant -- yet changes with frequency.
>
> in the case of the proton, you will observe the
> standing lightwave velocities are approximately
> 2.5 Vc, and 13 Vc -- 2 1/2 and 13 times the average
> lightwave velocity.
>
> what are the notes of this Chord? how might it
> sound, transcribed into our audio range -- how
> would it be felt, transcribed into our orbital
> range -- and how does it transcribe into the
> BlueStar Chord, sounded by the Toroidal Superstar
> Sagittarius A* -- the Central Sun of the Milky
> Way Galaxy? ?? ???
>
> anyone care to calculate the numbers, the notes,
> the pitches and their harmonics -- ahead of me?
>
> I have waited a decade for this dialog ... and it
> seems that 2008 -- harmonizing with 2011/2012 --
> has brought forth our collective mindedness, the
> mind-FULL-ness, to recognize and paint, then
> sing and dance, these true harmonies of Mother
> Proton, Mother BlueStar ...
>
> Mothers Earth, Sun and all our sacred relations,
>
>
> Millennium Twain
>
> ~~~~~~~~~~
> ~~~~~~~~~~~~~~
>
> Re:Re: [antigrav] Electromagnetic Aether, Electrodynamic Plasma
>
> adapted from the Strings Instruments webpage:
>
> Let's work out the harmonics among these frequencies .... For a
> wave, the frequency is the ratio of the speed of the wave to the
> length of the wavet: f = v/wavelength. Compared to the wavelength L,
> you can see that these waves have lengths L, L/2, L/3, L/4. We could
> write this as L/n, where n is the number of the harmonic.
>
> The fundamental/first mode has frequency f1 = v/wavelength = v/L,
> The second harmonic has frequency f2 = v/2L = 2f1
> The third harmonic has frequency f3 = v/3L = 3f1,
> The fourth harmonic has frequency f4 = v/4L = 4f1, and,
> generally, the nth harmonic frequency is fn = v/nL = nf1.
>
> http://thelemicmusick.net/davidcherubim/scale.htm
>
> "the word scale comes to us from the Latin word scala, which
> means "ladder". A scale is a ladder or succession of tones (or
> notes), starting from the keynote or tonic (the first tone on which
> it starts), and ending with the octave (the last tone, or tone on
> which it ends)."
>
> http://www.geocities.com/kozulich/theory.html
>
> "The most common chords are made up of three notes and are called
> triads. Every triad consists of a root, third, and fifth. The root
> is the fundamental note of the chord. It is the note which the chord
> is named after. So, for example, in a C chord, the root note is C.
> From our work in the last section, you can now figure out what the
> 3rd and 5th notes of the C Major scale are. E is the 3rd and G is
> the 5th. Therefore a C Major chord consists of C,E,G."
>
> http://www.principlesofnature.net/musical_scale_structures/triads_in_
> music_and_math.htm
>
> "Triads in music simply consist of three notes sounding together at
> the same time. Some may better know these as 'chords' (of which they
> are really a subset)."
>
> http://stmarksdurango.com/MusicHeals.html
>
> "According to Len Horowitz's book Healing Codes, the Bible gives us
> the optimum frequencies for Healing in Music. They are the original
> hexatonic tones, or six-tone scale, used in the late middle ages, as
> in the Hymn to St. John the Baptist,and later used by Haydn in his
> 96th Symphony called the Miracle. It is alleged that they are the
> original (lost) tones used in early biblical times. The frequencies
> are derived from calculations of verse placement and repetitions in
> Numbers 7:12-83. The frequencies are: 396,417,528,639,741,852
> (G3,G#3,C4,E4,F#4, and Ab4 ???) The optimum scale is hexatonic, not
> the 5-not pentatonic scale or our current 7-tone scale and that is
> why late-middle-age musical instruments were hexachords. According
> to this, the 5-scale and 7-scale octaves resonate disharmonically to
> our organisms."
>
> "Other researchers have created music around "The Lost Chord," which
> they've apparently re-discovered. Professor Arnold Keyserling,
> Academy of Art, University of Vienna, Austria, discovered a new
> scale in 1971. Over the next 25 years his American student, Ralph
> Losey, J.D. perfected the use of these chakra resonating tones to
> create PrimaSounds music."
>
> http://www.google.com/search?hl=en&q=%22three+notes%
> 22+triad+major+chord+nature+fundamental
>
>
> Millennium Twain
> 6 December 2007
>
> --- Messiah Twain <yonibluestar> wrote:
>
> kia ora, Carlos,
>
> was just about to do a web search re: musical
> harmonic analysis ...
>
> the book I am working on now, following Nuclear
> Structure (Nucleon Song) and Undiscovered Physics,
> is "Mother Mind, Mother Song" -- a portrait of
> the detail and totality of our divine wilderness
> of creation from the fundamental experience of
> musical harmonies and electric circuit analysis.
>
> the chorus of the dreaming, the songline.
>
> in the earlier works I did not focus on the
> harmonic analysis -- either from electrodynamic
> or musical perspective.
>
> as you will note, the Proton is a coil of 137-
> plus a fractional loops, connected in a donut
> or torus -- whose harmonic analysis will be
> trivial to any student of music or electromagnetism.
>
> ditto, the single-coil, one or more undulations,
> electron, one picture here:
>
> http://www.groupkos.com/mtwain/BipolarElectron144.jpg
>
> all our sacred relations,
>
>
> Millennium
>
> --- Carlos Bautista <carlos_e_bautista> wrote:
>
> In music the transverse wave first harmonic (standing
> wave mode) is ONE-HALF wavelength, the second
> harmonic is ONE wavelength and so on...
>
> String Instrument Standing Waves & Harmonics:
>
> http://www.phys.unsw.edu.au/jw/strings.html
>
> --- Messiah Twain <yonibluestar> wrote:
>
> that sounds right, Warm,
>
> in the two-transverse- wave Electron,
> when it expands, one or both of the
> frequencies are cut in half, the wave-
> length(es) double. [or triple or
> quadruple, etc, for frequencies cut
> in a third, 4th, etc.]
>
> when the Electron shrinks, the wave-
> lengths are reduced by integer multiples,
> aka the frequencies go up by integer
> multiples.
>
> you can see the integer relationships
> in the electron and proton standing waves:
>
> http://groupkos.com/mtwain/TheElectron.pdf
> http://groupkos.com/mtwain/TheProton.pdf
>
> for all our sacred relations,
>
> Millennium Twain
>
> --- 'Warm' wrote:
>
> There is no way to get a standing wave of
> less than one wavelength.
>
> -- Millennium Twain wrote:
>
> here is the graphic, depicting the range of
> states of the neutron = hydrogen atom, from
> A New Study In Scarlet, showing the relative
> size change of the electron lissajoid EM wave
> as it (she!) shrinks down around the proton.
> (Mother Proton!)
>
> from Page 37 of New Study In Scarlet.
>
> Millennium Twain
>
> http://groupkos.com/mtwain/NuScarlet-pt1.pdf
> http://groupkos.com/mtwain/NuScarlet-pt2.pdf
>
> ~~~~~~~
> ~~~~~~~~~
>
> re: neutron is hydrogen in sub-ground state:
>
> http://tech.groups.yahoo.com/group/NuclearStructure/message/292
>
> in GreenGlow, 'Warm' wrote:
>
> Conventionally, chemical reactions involve just
> the electrons and generally just the valence electrons
> of an atom. Of coarse in the case of hydrogen there
> is only one.
>
> The states of an excitory states of an electron
> are not nuclear in nature, however, a neutron, when
> it decays into a proton and electron also gives off
> an electron-antineutrino, because that decay involves
> the weak nuclear force, and thus is quite different
> than a change in an electrons orbital energy.
>
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