RE: Theos-World RE:Music..
Oct 05, 2001 03:23 AM
What's the deal with Wagner's music and 'jewish factions' ? Forgiver my
ignorance but all I know of his work is that Tolkien based Lord of the
Rings around elements of his Ring Cycle?
From: DNisk98114@aol.com [mailto:DNisk98114@aol.com]
Sent: Friday, 5 October 2001 1:23 AM
Subject: Theos-World RE:Music..
Music speaks to all on many different levels.The post on music
was from a
"mainstream" journal which could be considered quite
interesting from the
standpoint of considering words spoken in a different place and
was played in another place up to this point in time would
probably not have
even been considered 20 or 30 years ago and put together to make an
"epiphany" for the writer of that article and that a certain
being made on the whole to recognize similarities of vibration
in our mayavic
world is a real step up from the standpoint of evolving
yes , Bill your selection from the standpoint of inspiration
was well taken
and so was Chuck's (heretic , that he is).
Obviously Richard Wagner can not be "stomached" by some Jewish
others walked out on the Rite of Spring by Igor Stravinsky when
it was first
performed in the 20's and now utilized by Walt Disney in their Fantasia
series(for children no less) as a matter of course and still
J. S. Bach's works for over 50 years and the same could be said
So , as was stated what is necessary for the Soul will be known
in the Soul's
own sweet time and the Soul's own sweet place.
"Mark the music" as Shakespeare said holds very true today as
it did when he
penned that phrase.
What was "ugly" yesterday may be "beautiful "tomorrow.
Anyone for polka music?
)))))))))))))))))))))))))))))))))))))article below v
On Steve Rowland's monumental John Coltrane radio documentary
being aired on
NPR stations, "Tell Me How Long Trane's Been Gone," there's an
segment about "Alabama." Trane wrote the composition in 1963,
as a reaction
to a racist church bombing in Birmingham, Alabama that killed
To put to the test the long standing rumor that Coltrane
patterned his melody
after the cadence of Martin Luther King's moving eulogy,
the Coltrane composition and the results were rather startling.
music on top of King's speech, and how perfectly in tune
Trane's tenor was
with King's voice, it's obvious just how deeply Trane was
indeed touched and
inspired by King's words, which spoke of the incident being
tragedy of our time." Even more amazing is just how moving and
Coltrane's playing is on this track. Talk about heartfelt
emotion. Talk about
depth of feeling. Coltrane's music was of its time, and the
fervor of the
sixties informed everything he did in his last seven years.
In fact, there were a number of artists back then who wrote
with words, and sometimes without, that was informed by the
times. Music that
spoke to the issues that were at the forefront of our culture
When was the last time you heard a performance, or a recording,
that spoke to
any issue at all? (Writer of article's question)
BTW the above was taken from a larger tract.
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